13.05.10

Book Review: Rampant by Diana Peterfreund

Posted in Uncategorized at 11:02 pm

Forget everything you ever knew about unicorns…

The sparkly, innocent creatures of lore are a myth. Real unicorns are venomous, man-eating monsters with huge fangs and razor-sharp horns. And they can only be killed by virgin descendants of Alexander the Great.

Fortunately, unicorns have been extinct for a hundred and fifty years.

Or not.

Astrid Llewelyn has always scoffed ather eccentric mother’s stories about killer unicorns. But when one of the monsters attacks her boyfriend in the woods – thereby ruining any chance of him taking her to prom – Astrid learns that unicorns are real and dangerous, and she has a family legacy to uphold. Her mother packs her off to Rome to train as a unicorn hunter at the ancient cloisters the hunters have used for centuries.

However, at the cloisters, all is not what is seems. Outside, the unicorns wait to attack. And within, Astrid faces other, unexpected threats: from crumbling, bone-covered walls that vibrate with a terrible power to the hidden agendas of her fellow hunters to – perhaps most dangerously of all – her growing attraction to a handsome art student… and a relationship that could jeopardize everything.

This review contains minor spoilers.

I am having a particularly good run with young adult fiction lately, in that I keep picking up books that make me read them compulsively, sometimes furtively, until I’m done.  Out of that already excellent selection, Rampant is a particularly notable find.

I have to admit, unicorns are a mythological beastie I have a prejudice against, because I tend to like my beasties dark and nasty and not farting rainbows (or sparkling in sunlight, ahem).  Too much rainbow farting and no horn-impaling makes Aimee something something.  Until now, my favourite unicorn appears in a few of Terry Pratchett’s Discworld novels, as the pet of the Queen of the Elves.  And he was only a bit player anyway.

No one could accuse the unicorns in Rampant of farting rainbows.

Borrowing from folklore that posits that unicorns are more likely to spike and devour you than take you on their back to a special land of fairies and cake, Rampant’s unicorns are venomous, bloodthirsty, and fairly revolting in general, but also at times amazing, and even sympathetic.  They are not at all a creature with whose pictures you would decorate a child’s bedroom, unless you wanted to traumatise the child in question.

But enough on unicorns.  What really makes Rampant sing, and what makes it stand out in a sea of stellar YA fiction, are the characters, particularly the main character, Astrid Llewelyn.  Astrid is smart, snarky, brave and a little neurotic – pretty much what you’d expect from someone who’s just discovered that a mythological being exists and she’s descended from a line of people who are powerful enough to kill it.  The supporting cast of characters, from Astrid’s American schoolmates to the fellow hunters she meets in the cloisters in Rome, are convincingly drawn, right down to the briefest encounters.  The dialogue is realistic, fast, fresh and occasionally hilarious, and Astrid’s inner monologue is part Buffy, part Daria, and part something else entirely that makes it unique.  She’s the kind of girl you’d want to hang out with because she’s so awesome and cool, and not just because she could save you from being gored and eaten.

Peterfreund remains faithful to the unicorn folklore that states that only virgins can tame them, and I loved how she used this; in the hands of a lesser writer, it’s the kind of thing that could potentially make me want to throw a book across the room.  The topic of sex and virginity in YA novels can always be counted on to get folks raging on all sides of the sexual politics spectrum.  Peterfreund’s unicorn hunter characters are all discovering their powers – and how conditional they are – right at a point in their lives where they’re also discovering their sexuality, and deciding what they want out of their relationships with boys, and the confusion that all this causes is pitch-perfect.  Astrid does not meekly accept that her powers are fully dependent on her virginity, and her resulting internal conflict provides some tense and dramatic moments.

Likewise, I was very impressed with how Peterfreund dealt with the issue of rape; again, a topic that many writers struggle with and cop out on, she deals with it coolly and compassionately, with a sneaky, kick-arse dismissal of the idea of “grey rape”, and a sensitive understanding of self-blame and survivor psychology.  I wish more novels – not just YA but fiction in general – dealt with this topic with the same level of compassion and humanity, rather than lazily using it, as is often the case, as a convenient plot point (motive for revenge!  The character development you have when you’re not actually developing a character!  Just random filler!  Whatever!), or treating it as something that inevitably happens to female characters, particularly in situations where there are other types of violence.

I could probably write an essay on how much I like this book, and why.  Quite easily, in fact.  I will be recommending it to people regardless of their age and their stance on the Zombies vs Unicorns debate (like I mentioned on Twitter, I’m a staunch Team Zombie girl, but Rampant has almost swayed me).  The story moves at a cracking pace, there’s a lot of intrigue, some of it out of left field at times, and, really, how many folklore-based, well-written feminist action novels do you get to read?

07.05.10

An Open Letter to My Homeland

Posted in Uncategorized at 12:44 am

Oh Australia,

I love you, and I’ve lived in you all my life, but sometimes I think I don’t understand you very well.  There’s a lot of aspects of your culture that confuse and enrage me, like Luhr from the planet Omicron Persei 8 and the concept of “wuv”.

So, Age columnist Catherine Deveny has lost her job, over Logies-related tweets that were considered offensive.  Particularly, from what I gather, those about Bindi Irwin.  I wasn’t following Deveny’s live tweets at the time, so I’ve only read what’s been reproduced in the media.  I didn’t think the comments were out of character and, while they may have been a little off-colour, I can see the point that Deveny was trying to make, because it’s a point I’ve often made myself, and I’ve done so in similar ways; apparently, however, dark humour and irony aren’t allowed in discussing the sexualisation of children in the media.

There’s a lot of commentary flying back and forth from all sides.  Some of it is well-reasoned and thoughtful and some…not so much.

I think Deveny’s general fearlessness when it comes to tackling controversial issues in her writing is admirable and much-needed.  Yes, she sometimes deliberately courts controversy, but this doesn’t make her arguments ingenuous.  Criticisms of her work are often far more ingenuous than anything she might do to draw attention to said work anyway; the problem is actually that often they’re not criticisms of her work, but her, personally, as a woman and occasionally as a mother.

Part of the angst about Deveny seems to be that she is apparently part of the “elite”; she makes no bones about her dislike of many aspects of Australian culture, and this sort of thing rarely makes one popular.  If you want to be a woman and popular in the Australian media, it helps to be perky and inoffensive, rather than a smart, mouthy, atheist feminist.

But, Australia, what worries me about you is that, as you’re baying for Catherine Deveny’s blood (as you’ve bayed for Germaine Greer’s before her – at least she’s in good company), and writing mean-spirited blog posts, tweets, and comments on mainstream media websites, you’re revealing your own blind spot.  You’re revealing your vicious streak, the anger you harbour against women (especially of the feminist stripe), the resentment that they won’t stay in their place and do what you want them to.

Because while Catherine Deveny loses her job, Matthew Johns gets a TV show, Sam Newman continues his stronghold in the mainstream media, and Kyle Sandilands is somehow still employed doing anything at all but commercial radio more specifically.

One of these people wrote some things on Twitter.  One of these people was accused of taking part in a pack rape, which the media gleefully referred to as a “group sex scandal”, and has apologised in the media for, essentially, the fact that he was caught out.  One of these people used a segment of his popular sports-related TV show to dress up a mannequin to recognisably resemble a female sports reporter, and then beat the mannequin to pieces.  One of these people brought a fourteen-year-old girl on his show to grill her about her sex life, and when she broke down and revealed she’d been raped at twelve, asked her if that was her only sexual experience.

One of these things is not like the others.

One of these things is out of a job, and the others aren’t.

Catherine Deveny doesn’t need me to defend her; she is quite capable of that herself.  But while she gets roasted over an open fire (mmm, delicious scapegoat), your culture, Australia, gets to pretend that it’s fighting the big fights, and that nothing is wrong.  She’ll be right, mate.

Except she won’t, because she isn’t.

I love you, Australia, but I think you’re going about this all wrong-headed, and frankly you’re coming off like a bit of a git in front of the other countries.

Love,

Aimee